Peter Ablinger (*1959) — Black Series (2012)

version for (prepared) voice, bass clarinet, e-zither, percussion and electronics

Mark Applebaum (*1967) — Plundergraphic (2002)

version for voice, clarinet, piano, percussion, live-electronics and tape

Michael Beil (*1951) — Batterie (2003)

for drumset, video and tape

Michael Beil (*1963) — Key Jack (2017)

for pianist without piano, tape and live electronics

Michael Beil (*1951) — Verlier die Vier (2006)

for percussion and piano, with live-audio-electronics and live-video

Raphael Cendo (*1975) — Décombres (2006)

for bass clarinet and live-electronics

Marko Ciciliani (*1970) — Black Horizon (2011)

for 4 table-top electric guitars

Marko Ciciliani (*1970) — Crash (2007)

for singing percussionist and electronics

Stephen Daverson (*1985) — Pegasus (2014)

for Voice, clarinet, cello, zither, piano and percussion

Benjamin de la Fuente (*1969) — Manège (2001)

for percussion, keyboard and electronics

Natacha Diels (*1981) — 35 Degrees (2016)

for ensemble, electronics and video

Natacha Diels (*1980) — Nystagmus (2011/12)

for 2 performers, tape and live video

Malte Giesen (*1988) — lowest common denominator (2017)

for ensemble, electronics and video

Heinrich Horwitz (*1984) — Entities (2018)

for 7 performers and many instruments and objects

Charlotte Bösling und Ole Hübner (*1993) — Nachtigall mit Melodey (2017)
for voice, clarinets, piano, drum set, e-zither, cello, live and fixed electronics and video
Neo Hülcker (*1987) — ASMR contemporary music ensemble (2015)

for ensemble

Leopold Hurt (*1979) — Aggregat (2005)

for violoncello, bass zither and electronics

Leopold Hurt (*1979) — Dissociated Press (2017)

for ensemble

Leopold Hurt (*1979) — Erratischer Block (2006)

for ensemble and tape

Leopold Hurt (*1979) — five minutes or less (2016 version)

version for ensemble and tape

Leopold Hurt (*1979) — Fred Ott‘s Sneeze (2011)

for ensemble and tape

Leopold Hurt (*1979) — Reality Check (2013)

for violin, e-zither and tape

Martin Jaggi (*1978) — Drowned Rap (2005)

for cello, e-zither and live electronics

Marisol Jimenez (*1978) — CARO CIBUS (2013)

for voice, clarinet, violoncello, e-zither, piano, percussion, tape and video

Gordon Kampe (*1976) — Chamäleontheorie III (2013)

for soprano, clarinet, piano and turntable

Gordon Kampe (*1976) — Nischenmusik mit Klopfgeistern (2013)

for voice, clarinet, e-zither, piano and percussion

Andrej Koroliov (*1982) — Illegal Sunshine Fry My Eyes (2015)

for cello, keyboard, drums, samples and video

Andrej Koroliov (*1982) — IRRITATE ME (Herbst) (2016)

for amplified bass clarinet, voice and video

Andrej Koroliov (*1982) — like my domination (2013)

for voice, clarinet, zither, piano, drums and electronics

Andrej Koroliov (*1982) — Love Songs (my hangover is better than your party) (2016/17)

for e-zither, keys and voices

Andrej Koroliov (*1982) — Resist Mix (2014)

for percussion and electronics

Andrej Koroliov (*1982) — Sei du Gesang mein freundlich Asyl (2011)

for voice, clarinet/bass clarinet, e-zither, piano and tape

Andrej Koroliov (*1982) — Überbelichtung / Riss I (2018)

for ensemble and speaker

Andrej Koroliov (*1982) — Überbelichtung / Riss II (mute / Deutschland (2018)

for ensemble and video

Matthias Kranebitter (*1980) — Stack overflow: exploiting 24 preludes (2017)

for clarinet, cello, e-zither, keyboard, drums and electronics

Johannes Kreidler (*1980) — 2 Pieces for Clarinet and Video (2016)

for clarinet and video

Johannes Kreidler (*1980) — Film 1 (2017)

for video

Johannes Kreidler (*1980) — Fremdarbeit (2009)

for ensemble, samples and moderator

Johannes Kreidler (*1980) — Stil 1d (2012)

for bass clarinet, e-zither and tape

Yannis Kyriakides (*1969) — Karaoke Etudes (2011)

for soloists, ensemble, video and soundtrack

Bernhard Lang (*1957) — DW15 „Songs/Preludes“ (2003)

for mezzosoprano, zither and tape

Michael Maierhof (*1956) — Exit G (2015)

music theater for actor, countertenor, soprano, clarinet, table-top guitar, cello, piano and percussion

Michael Maierhof (*1956) — shopping 4 (2005/06)

for 3 performers with balloons

Jessie Marino (*1984) — Endless Shrimp (2015)

for 2 performers, tape and video

Alex Mincek (*1975) — Nucleus (2007/2014)

for bass clarinet and drumset

Brigitta Muntendorf (*1982) — #AsPresentAsPossible (2017)

for ensemble, tape and live video

Brigitta Muntendorf (*1982) — play me back and forth (2015)

for ensemble, electronics and video

Sarah Nemtsov (*1980) — Drummed variation (2014)

for no drumset and kaoss pad

Sarah Nemtsov (*1980) — pulsation (2019)

for 3 performers on a concert bass drum and electronics

Sarah Nemtsov (*1980) — Seven Colours (2018)

for cello, e-zither, keys and electronics

Sarah Nemtsov (*1980) — Seven Thoughts – her kind (2018)

for solo keyboard, voice and electronics

Sarah Nemtsov (*1980) — Shadow Drums (2017)

for solo speaking percussionist with light, objects and electronics

Sarah Nemtsov (*1980) — to the beyond (2019)

for 4 performers with objects

Sarah Nemtsov (*1980) — white eyes erased (2014/15)

for keyboard, drumset and live video

Sarah Nemtsov (*1980) — Wolfsgesänge (2019)

for solo cello and tape

Larry Polansky (*1951) — Ensembles of Note (1998)

open instrumentation

Stefan Prins (*1979) — Hände ohne Orte (2017)

for clarinets, percussion, piano, cello and soundtrack

Erin Rogers (*1980) — How Do You Television (2018)

for ensemble, electronics and video

Alexander Schubert (*1979) — Bottom Feeder (2014)

for percussion, timecode-vinyl and piano, bass clarinet

Alexander Schubert (*1979) — Bureau Del Sol (2011)

for percussion, timecode-vinyl and piano or bass clarinet

Alexander Schubert (*1979) — Control (2018)

for performers, electronics, light and live video

Alexander Schubert (*1979) — F1 (2016)

for ensemble and 2 performers

Alexander Schubert (*1979) — HELLO (2014)

for ensemble and video

Alexander Schubert (*1979) — Laplace Tiger (2009)

for percussion, motion sensors, video and live-electronics

Alexander Schubert (*1979) — Lucky Dip (2013)

for e-zither, keyboard, MIDI-drumset and light

Alexander Schubert (*1979) — Point Ones (2012)

for augmented conductor and small ensemble

Alexander Schubert (*1979) — Sensate Focus (2014)

version for zither, bass clarinet, percussion, cello, live electronics and animated light

Alexander Schubert (*1979) — Serious Smile (2014)

for ensemble, conductor, motion sensors, live electronics and light

Alexander Schubert (*1979) — Star Me Kitten (2015)

for singer, flexible ensemble, video and electronics

Alexander Schubert (*1979) — Your Fox’s A Dirty Gold (2011)

for one performer with voice, e-guitar, motion-sensors and live-electronics

Martin Schüttler (*1974) — taped & low-bit (2002)

for soprano, samples and live-electronics

Hannes Seidl (*1977) — Es geht besser besser (2011)

for clarinet, cello, percussion and tape

Hannes Seidl (*1977) — Konzert (2018/19)

for solo cello with live electronics and video (by Daniel Kötter)

Hannes Seidl (*1977) — Mixtape (2013)

for 4 no-input-mixer

Hannes Seidl (*1977) — The audience 鸡鸣驿  (2018/19)

for clarinet, e-zither, percussion, tape and video (by Daniel Kötter)

Matthew Shlomowitz (*1975) — Letter Piece No.5 – „Northern Cities“ (2008)

for two performers

Matthew Shlomowitz (*1975) — Letter Piece No.8 – ‘Sit Up Stand Down’ (2012)

for three performers

Josh Spear (*1990) — Quartet (2016)

for 4 performers with cell phones, tape, light and video

Simon Steen-Andersen (*1976) — Asthma (2018)

for ensemble, tape and video

Simon Steen-Andersen (*1976) — Run Time Error @ Herrenhausen (2018)

for 2 joysticks, electronics and live video

Simon Steen-Andersen (*1976) — The Way Sounds Go (2018)

evening length music theater for ensemble/performers, electronics, video and light

Dennis Sullivan (*1982) — No End Has Been Found There (2018)

for ensemble and electronics

Jagoda Szmytka (*1982) — Lost (2015)

music Theater for Soprano, clarinet, zither, cello, piano, percussion and electronic performer

James Tenney (*1943) — Having Never Written a Note For Percussion (1971)

version for ensemble

John Zorn (*1953) — Cobra (1992)

for open instrumentation