The Decoder Ensemble, founded in Hamburg in 2011, considers itself a “band” for contemporary music and is one of the most innovative and unpredictable young ensembles on the new music scene. Their fresh and energetic sound, stemming from their distinct combination of electric and acoustic instruments and voice, sets them apart from conventional contemporary chamber music ensembles.
Surprising collaborations, experimental instrumental music, multimedia elements and conceptual performance art all play a large role in Decoder’s programming. Decoder greatly stresses the contemporary format in the presentation of their concerts, incorporating carefully selected performance venues and an over-arching dramaturgy.
One of the main focuses of the ensemble is the collaboration with young composers and providing them with a platform to realize their works at the highest level. All of the members of Decoder specialize in the performance contemporary music, with 3 members doubling as the resident composers. This constellation, together with the extensive communication between the composers and interpreters in the development of the works, allows for the creation of unique and authentic performances.
The Ensemble performs internationally at festivals of contemporary music on a regular basis. In 2014 Decoder’s self-titled debut CD on Ahornfelder Records was produced in cooperation with German Radio Cologne. Since 2017 Decoder presents their own concert series at the Elbphilharmonie Hamburg. In 2019 Decoder’s second CD will be released by the label Wergo.
↓ Decoder Ensemble Dossier auf Deutsch herunterladen
→ co-founder and regular guest, voice
Sonja Lena Schmid
→ light, sound and electronics
→ drums and percussion
co-founder and regular guest, voice
“Hamburg’s queen of avantgarde” (Hamburger Abendblatt Jan. 2010) Frauke Aulbert is one of the most active and multi-talented vocalists in the field of contemporary music today. Her almost infinite, impressive sound vocal palette enfolds a four octave range next to classical singing (diploma), over- and undertone-singing, multiphonics, techniques from Bulgarian folklore, Korean gugak, gamelan, jazz, dhrupad, beatboxing, etc.
Concerts led her to festivals all over the world, for example Radio France Paris, Warsaw Autumn, the Deutsche Oper Berlin, Berghain Berlin, Casa Giacinto Scelsi Rome, Onassis Centre Athens, to the USA, Australia, Korea, Tunesia, Brazil, or Georgia.
Frauke Aulbert was awarded varrious prizes and grants: the first prize by the Stockhausen-foundation, as well as artist residencies in Rome (Goethe Institut), Paris (Cité Internationale des Arts) and Stuttgart (Akademie Schloss Solitude) in 2016/17, where she is currently working on her project “Beatboxing and the Avant Garde“.
She collaborated with composers such as Georges Aperghis, Vinko Globokar, Hans-Joachim Hespos, Simon Stockhausen, Brigitta Muntendorf, Heera Kim, Michael Maierhof, Geoffroy Drouin and Alexander Schubert. Aulbert has been recording for film (“The Future“, Miranda July), CD (Decoder Ensemble, Magic Malik etc.) and radio (Deutschlandradio, RAI, Radio France etc.).
Frauke Aulbert is founding member and artistic (co)director of her groups Collect/Project (Hamburg-Chicago), Decoder Ensemble (Hamburg) and Forum Neue Vokalmusik (Hannover). She studied in Santa Cruz de Tenerife, Spain, and in Kiel and Hamburg, Germany. Her diploma thesis examined “Overtone singing in Contemporary Music“.
Leopold Hurt (born 1979 in Regensburg/Germany) studied composition with Manfred Stahnke at the Academy of Music Hamburg and zither / historical performance practice at the Richard-Strauss-Conservatory Munich. His oeuvre ranges from instrumental to vocal music with a particular focus on works featuring the zither and/or electronics. As an instrumentalist, he has appeared with such orchestras as the German Broadcasting Corporation, the Orchestra di Roma and the Hamburg Philharmonic.
Supported by the Goethe Institute he has appeared internationally on tours to China, Ireland and Lebanon. Leopold Hurt has received several awards for his compositions, including the “Stuttgart Composition Prize” and the “Bach Prize Scholarship“ of the City of Hamburg. As a cultural ambassador of Bavaria, he lived in 2003/04 at the “Cité Internationale des Arts” in Paris and during 2009/10 at the International House of Arts “Villa Concordia” Bamberg. In 2014 a portrait CD with his works was published by WERGO / Contemporary Music Series.
Andrej Koroliov was born in 1982 in Hamburg. He has received degrees in piano, composition and music theory at the Hochschule für Musik und Theater in Hamburg where he studied with Marian Migdal, Peter Michael Hamel and Manfred Stahnke.
His works, which span the gamut from acoustic to live electronic, solo to orchestral, have been awarded various prizes, including the Bach Promotion Prize of the city of Hamburg, Alfred Schnittke Composition Prize and Yamaha Young Composer’s Award, and have been performed by Ensembles like Reconsil Vienna and the Freiburger Schlagzeugensemble. As a pianist, he has been active both as a soloist and as a chamber musician, performing with groups such as ensemble integrales and the Hamburger Symphoniker. Andrej Koroliov is also founding member of the Decoder Ensemble.
Carola Schaal (born 1982, Tübingen, Germany) studied clarinet in Darmstadt, Düsseldorf and Hamburg. She completed her Master’s Degree with Professor Alexander Bachl at the Hochschule für Musik und Theater Hamburg in 2009. In addition to her conservatory studies she has also taken part in Masterclasses with Ernesto Molinari, Jean-Marc Foltz, Ralph Manno, Martin Fröst and Shizuyo Oka as well as Jennifer Walshe’s Performance Workshop.
She performs regularly as a soloist in Germany as well as on international tours to countries such as China, Chile, the USA and Mexico.
From 2011-2013 she was the recipient of a grant from the Anni-Taube-Foundation Hamburg. She recently gave a masterclass at the XIV. Festival Internacional de Música Contemporánea‘/Santiago de Chile.
In her work in the classical chamber music genre, she performs regularly together with the pianist Anne von Twardowski, the cellist Sonja Lena Schmid and the violinist Hibiki Oshimi. The concert ambience play a special role for their concerts enhance by their collaboration with the projection and lighting artist Kathrin Bethge.
Carola Schaal is particularly excited by the newest stylistic ideas of contemporary music as well as the theatrical elements of performance.
Sonja Lena Schmid
Sonja Lena studied cello and chamber music in Hamburg, Amsterdam, Den Haag and Lübeck and is the recipient of awards and grants such as the ZEIT Stipendium from German foundation Musikleben, Dutch National Huygens Grant, 1st prize in the Charles Hennen Concours International Chamber Music Competition and a special prize in the international competition “Schubert and the Music of Modern Times”.
Sonja is a member of Salut Salon and involved in numerous chamber music and theatrical music projects. She has performed in productions at the Thalia Theater (Hamburg), Deutsches Schauspielhaus and the Biennale in Munich. In 2014 Sonja initiated in conjunction with Anne von Twardowski the project Rauschen, which combines classical chamber music with live electronics. Since 2012 she has been a member of Decoder Ensemble. Sonja occasionally gives performance training workshops as guest lecturer at, among others, Hochschule der Populären Künste Berlin.
light, sound and electronics
Alexander Schubert was born in 1979 in Bremen and studied bioinformatics in Leipzig and Multimedia Composition with Georg Hajdu and Manfred Stahnke in Hamburg. During his studies he has worked as a musician and composer in a variety of different environments. In addition, Schubert worked at the ZKM (Centre for Art and Media) in Karlsruhe for one year. He’s artistic head of the electronic studio at the conservatory in Lübeck, teacher in Hamburg and was a guest professor at Folkwang University in 2016. Mainly he’s working as a freelance composer.
Schubert’s interest explores cross-genre interfaces between acoustic and electronic music. The most characteristic feature of his work is the combination of different musical styles (like hardcore, free jazz, popular electronic music, techno) with contemporary classical concepts. He incorporates these influences based on his personal experience rather than theoretically approaching the topic. Schubert has participated in his youth and early career in all above-mentioned genres both in groups and as a solo artist.
Furthermore performance pieces are a major focus in his work. The use of the body in electronic music and the transportation of additional content through gestures are key features in his pieces, which aim at empowering the performer and at achieving a maximum of energy. The constant aim to pursue the search for the highest intensity in a musical performance is a driving force in his work – and this always in a subjective and barely ever conceptual way. This also leads to the regular questioning of the border between notated and improvised music. Several pieces can be understood as highly structured improvisations.
Since 2009 he focuses on sensor-based gestural composition in both his writing and research activities (as a PhD student). In this work field he is contributing to international conferences and researches with various institutes worldwide. The combination of aesthetic, technical and scientific aspects of this interdisciplinary approach have encountered a very positive reception. His technical training as a computer scientist is the basis for a fearless dealing with technology in general and sensors in particular.
Apart from working as a composer and solo musician Schubert is also a founding member of ensembles such as “Decoder“. He has contributed to a variety of different projects as a musician, composer and programmer (e.g. Wiener Festwochen, Staatsoper Berlin, SWR), curated a festival for contemporary electronic music for several years and runs the contemporary music label Ahornfelder. He’s an organizing member of the VAMH – a collective maintaining a broad network for contemporary music and organizing an annual two-week long festival. He’s been a jury member of conferences and competitions (e.g. SSSP Conference, JTTP competition), jury head (ICMC) and held composition workshops (e.g. Mexico City, Stockholm). He is the artistic head of the electronic studio at the conservatory in Lübeck, teacher at the conservatory in Hamburg and was a guest professor at Folkwang University in 2016.
He received prizes and scholarships from ZKM, Giga-Hertz-Prize, Bourges, ICMC, NIME, JTTP, Darmstädter Ferienkurse and commissions from NDR, International Musikinstitut Darmstadt , Ensemble Resonanz, IRCAM, ZKM, HCMF, Kulturstiftung Hamburg, Piano Possible and Ensemble Intégrales amongst others.
His works have been performed more than 400 times for example by Ensemble Intercontemporain, Ictus Ensemble, Nadar Ensemble, Ensemble Mosaik, Ensemble Nikel, Klangforum Wien and Decoder Ensemble in over 35 countries, including: IRCAM Paris, NIME Sydney, ICMC, ZKM, Darmstädter Ferienkurse, Steinhardt School New York, Essl Museum Wien, Deutschlandfunk Köln, SMC Porto, MDR, Wiener Festwochen, Rainy Days Festival, Acht Brücken, TU Berlin, Kunsthalle Hamburg, Akousma Montreal, Klangwerktage Hamburg, EMM Kansas, ARD Hörspieltage, Ljubljana, USA, England, Spain, Tunisia.
drums and percussion
Dr. Jonathan Shapiro is an advocate for contemporary music and an active performer of solo and chamber works for percussion. Based in northern Germany, he is the percussionist for the Decoder Ensemble, RADAR ensemble, and Ensemble LABORATORIUM. He appears frequently as a guest performer with such ensembles as Ensemble MusikFabrik, Ensemble Resonanz, Alarm Will Sound, Zafraan, Signal, Oh Ton and Newband. Jonathan has also performed with such groups as the Percussionists of the New York Philharmonic, Argento Chamber Ensemble, Talujon Percussion Quartet, International Ensemble Modern Akademie and in performances of Terry Riley’s classic work In C with the Bang on a Can All-Stars
Jonathan works regularly with such composers as Steve Reich, Tristan Murail, Vinko Globokar, Wolfgang Rihm, Louis Andriessen, Georges Aperghis, Michel van der Aa, Roger Reynolds, Terry Riley, David Lang, Michael Gordon, Julia Wolfe, Annie Gosfield, Alexander Schubert, Leopold Hurt, Tristan Perich and Matthias Spahlinger in developing interpretations of their works.
Jonathan has appeared in performance at such festivals as the Bang on a Can Marathon (NY), Darmstadt Ferienkurse (Germany), Festival Internacional Cervantino (Mexico), Shanghai International Arts Festival (China), 2 Days 2 Night (Ukraine), Salzburg Bienalle (Austria), BEMUS (Serbia), Klangspuren (Austria), Kunstfestspiele Herrenhausen (Germany), June in Buffalo (U.S.), ECLAT Musik der Jahrhunderte (Germany), Ultrschall (Berlin), Reverb (London), Blurred Edges (Germany), and the New York Philharmonic Charles Ives Festival (NY).
Jonathan can be heard on recordings from Mode Records, Ahornfelder, NEOS and London Hall Records. His live performances have been broadcast on national TV and radio stations in Germany, Serbia, Ukraine, U.S., Austria and Mexico.
Jonathan holds degrees from the Interlochen Arts Academy (HS), Manhattan School of Music (BM), SUNY Stony Brook (MM, DMA) and the Musikhochschule Lübeck (Advanced Studies). He has taught at SUNY Stony Brook’s Undergraduate Music Program, the Manhattan School of Music Precollege Division and the United Nations International School. Jonathan has given lectures on contemporary percussion literature at the Shanghai Conservatory, Poznan Conservatory, SUNY Stony Brook, NYU and the Juilliard Summer Percussion Seminar. Jonathan is an endorser for Black Swamp Percussion, Mike Balter Mallets, and Zildjian Cymbals.