The Decoder Ensemble, founded in 2011 in Hamburg, sees itself as a “band” for contemporary music and is among the most innovative representatives of the international new music scene. The six-member formation, consisting of electronic and acoustic instruments, is characterized by a highly energetic, distinctive sound that stands out from the sound of traditional chamber music.
The six performers / instrumentalists / composers of the ensemble are not only specialists in contemporary music, but also possess a burning curiosity that drives them to constantly explore new forms of expression that transcend genre boundaries. With a seamless fusion of instrumental music, multimedia elements, staging, and physical performance, they create a new and captivating entity of performative art. At the heart of their creative process lies intense collaborations with other groundbreaking artists from a variety of fields.
The Ensemble performs regularly at German and International festivals. Recently Decoder has presented large scale-premieres at renowned venues such as the Festspielhaus Dresden-Hellerau and the Centre Pompidou Paris. Since 2017 Decoder is the Ensemble in Residence of the “Unterdeck” concert series at the Elbphilharmonie Hamburg. Two portrait CDs of Decoder have been released in collaboration with Deutschlandfunk, demonstrating the wide stylistic range of the ensemble’s work. From 2022-20024 Decoder is one of the featured Young Ensembles from the ULYSSES Network project.
↓ Decoder Ensemble Dossier auf Deutsch
↓ Decoder Ensemble Dossier English
↓ Decoder Ensemble Press Photos
Sonja Lena Schmid
→ light, sound and electronics
→ drums and percussion
Leopold Hurt (born 1979 in Regensburg/Germany) studied composition with Manfred Stahnke at the Academy of Music Hamburg and zither / historical performance practice at the Richard-Strauss-Conservatory Munich. His oeuvre ranges from instrumental to vocal music with a particular focus on works featuring the zither and/or electronics. As an instrumentalist, he has appeared with such orchestras as the German Broadcasting Corporation, the Orchestra di Roma and the Hamburg Philharmonic.
Supported by the Goethe Institute he has appeared internationally on tours to China, Ireland and Lebanon. Leopold Hurt has received several awards for his compositions, including the “Stuttgart Composition Prize” and the “Bach Prize Scholarship“ of the City of Hamburg. As a cultural ambassador of Bavaria, he lived in 2003/04 at the “Cité Internationale des Arts” in Paris and during 2009/10 at the International House of Arts “Villa Concordia” Bamberg. In 2014 a portrait CD with his works was published by WERGO / Contemporary Music Series.
Andrej Koroliov was born in 1982 in Hamburg. He has received degrees in piano, composition and music theory at the Hochschule für Musik und Theater in Hamburg where he studied with Marian Migdal, Peter Michael Hamel and Manfred Stahnke.
His works, which span the gamut from acoustic to live electronic, solo to orchestral, have been awarded various prizes, including the Bach Promotion Prize of the city of Hamburg, Alfred Schnittke Composition Prize and Yamaha Young Composer’s Award, and have been performed by Ensembles like Reconsil Vienna and the Freiburger Schlagzeugensemble. As a pianist, he has been active both as a soloist and as a chamber musician, performing with groups such as ensemble integrales and the Hamburger Symphoniker. Andrej Koroliov is also founding member of the Decoder Ensemble.
Carola Schaal (born 1982, Tübingen, Germany) studied clarinet in Darmstadt, Düsseldorf and Hamburg. She completed her Master’s Degree with Professor Alexander Bachl at the Hochschule für Musik und Theater Hamburg in 2009. In addition to her conservatory studies she has also taken part in Masterclasses with Ernesto Molinari, Jean-Marc Foltz, Ralph Manno, Martin Fröst and Shizuyo Oka as well as Jennifer Walshe’s Performance Workshop.
She performs regularly as a soloist in Germany as well as on international tours to countries such as China, Chile, the USA and Mexico.
From 2011-2013 she was the recipient of a grant from the Anni-Taube-Foundation Hamburg. She recently gave a masterclass at the XIV. Festival Internacional de Música Contemporánea‘/Santiago de Chile.
In her work in the classical chamber music genre, she performs regularly together with the pianist Anne von Twardowski, the cellist Sonja Lena Schmid and the violinist Hibiki Oshimi. The concert ambience play a special role for their concerts enhance by their collaboration with the projection and lighting artist Kathrin Bethge.
Carola Schaal is particularly excited by the newest stylistic ideas of contemporary music as well as the theatrical elements of performance.
Sonja Lena Schmid
Sonja Lena Schmid is a Hamburg-based cellist and performer. Her versatility allows her to be active in various artistic fields such as contemporary and classical music, as well as musical theatre and performance art. As a soloist and a as member of the Decoder Ensemble, she has commissioned and premiered over 60 new works, appearing at numerous international festivals.
Invited for an ongoing residency at the Elbphilharmonie Hamburg, Decoder creates the concert series „Unterdeck“, currently entering its forth season and featuring collaborations with various artists such as Sarah Nemtsov, Heinrich Horwitz, Simon Steen-Andersen, Nora Gomringer, Brigitta Muntendorf, Trond Reinholdtsen and others.
Together with Anne von Twardowski, she initiated „Rauschen“ (www.rschn.de), a club-concert series that juxtaposes classical chamber music with electronic music. She is also passionate about bringing original and unusual concepts to concerts for children, contributing to such projects as the musical theatre work „Teufels Küche“ or „backstage concerts“ in co-production with KinderKinder e.V.
From 2008-2019 Sonja Lena Schmid was a member of the award-winning, world renowned quartet Salut Salon (ECHO Klassik 2016 in category „Klassik ohne Grenzen/Classical Without Borders“).
Since may 2019 she is Professor for Ensemble and Digital Performance at the Staatliche Hochschule für Musik Trossingen.
light, sound and electronics
Alexander Schubert was born in 1979 in Bremen and studied bioinformatics in Leipzig and Multimedia Composition with Georg Hajdu and Manfred Stahnke in Hamburg. During his studies he has worked as a musician and composer in a variety of different environments. In addition, Schubert worked at the ZKM (Centre for Art and Media) in Karlsruhe for one year. He’s artistic head of the electronic studio at the conservatory in Lübeck, teacher in Hamburg and was a guest professor at Folkwang University in 2016. Mainly he’s working as a freelance composer.
Schubert’s interest explores cross-genre interfaces between acoustic and electronic music. The most characteristic feature of his work is the combination of different musical styles (like hardcore, free jazz, popular electronic music, techno) with contemporary classical concepts. He incorporates these influences based on his personal experience rather than theoretically approaching the topic. Schubert has participated in his youth and early career in all above-mentioned genres both in groups and as a solo artist.
Furthermore performance pieces are a major focus in his work. The use of the body in electronic music and the transportation of additional content through gestures are key features in his pieces, which aim at empowering the performer and at achieving a maximum of energy. The constant aim to pursue the search for the highest intensity in a musical performance is a driving force in his work – and this always in a subjective and barely ever conceptual way. This also leads to the regular questioning of the border between notated and improvised music. Several pieces can be understood as highly structured improvisations.
Since 2009 he focuses on sensor-based gestural composition in both his writing and research activities (as a PhD student). In this work field he is contributing to international conferences and researches with various institutes worldwide. The combination of aesthetic, technical and scientific aspects of this interdisciplinary approach have encountered a very positive reception. His technical training as a computer scientist is the basis for a fearless dealing with technology in general and sensors in particular.
Apart from working as a composer and solo musician Schubert is also a founding member of ensembles such as “Decoder“. He has contributed to a variety of different projects as a musician, composer and programmer (e.g. Wiener Festwochen, Staatsoper Berlin, SWR), curated a festival for contemporary electronic music for several years and runs the contemporary music label Ahornfelder. He’s an organizing member of the VAMH – a collective maintaining a broad network for contemporary music and organizing an annual two-week long festival. He’s been a jury member of conferences and competitions (e.g. SSSP Conference, JTTP competition), jury head (ICMC) and held composition workshops (e.g. Mexico City, Stockholm). He is the artistic head of the electronic studio at the conservatory in Lübeck, teacher at the conservatory in Hamburg and was a guest professor at Folkwang University in 2016.
He received prizes and scholarships from ZKM, Giga-Hertz-Prize, Bourges, ICMC, NIME, JTTP, Darmstädter Ferienkurse and commissions from NDR, International Musikinstitut Darmstadt , Ensemble Resonanz, IRCAM, ZKM, HCMF, Kulturstiftung Hamburg, Piano Possible and Ensemble Intégrales amongst others.
His works have been performed more than 400 times for example by Ensemble Intercontemporain, Ictus Ensemble, Nadar Ensemble, Ensemble Mosaik, Ensemble Nikel, Klangforum Wien and Decoder Ensemble in over 35 countries, including: IRCAM Paris, NIME Sydney, ICMC, ZKM, Darmstädter Ferienkurse, Steinhardt School New York, Essl Museum Wien, Deutschlandfunk Köln, SMC Porto, MDR, Wiener Festwochen, Rainy Days Festival, Acht Brücken, TU Berlin, Kunsthalle Hamburg, Akousma Montreal, Klangwerktage Hamburg, EMM Kansas, ARD Hörspieltage, Ljubljana, USA, England, Spain, Tunisia.
drums and percussion
Dr. Jonathan Shapiro is an advocate for contemporary music and an active performer of solo and chamber works for percussion. Based in northern Germany, he is the percussionist for the Decoder Ensemble, RADAR ensemble, and Ensemble LABORATORIUM. He appears frequently as a guest performer with such ensembles as Ensemble MusikFabrik, Ensemble Resonanz, Alarm Will Sound, Zafraan, Signal, Oh Ton and Newband. Jonathan has also performed with such groups as the Percussionists of the New York Philharmonic, Argento Chamber Ensemble, Talujon Percussion Quartet, International Ensemble Modern Akademie and in performances of Terry Riley’s classic work In C with the Bang on a Can All-Stars
Jonathan works regularly with such composers as Steve Reich, Tristan Murail, Vinko Globokar, Wolfgang Rihm, Louis Andriessen, Georges Aperghis, Michel van der Aa, Roger Reynolds, Terry Riley, David Lang, Michael Gordon, Julia Wolfe, Annie Gosfield, Alexander Schubert, Leopold Hurt, Tristan Perich and Matthias Spahlinger in developing interpretations of their works.
Jonathan has appeared in performance at such festivals as the Bang on a Can Marathon (NY), Darmstadt Ferienkurse (Germany), Festival Internacional Cervantino (Mexico), Shanghai International Arts Festival (China), 2 Days 2 Night (Ukraine), Salzburg Bienalle (Austria), BEMUS (Serbia), Klangspuren (Austria), Kunstfestspiele Herrenhausen (Germany), June in Buffalo (U.S.), ECLAT Musik der Jahrhunderte (Germany), Ultrschall (Berlin), Reverb (London), Blurred Edges (Germany), and the New York Philharmonic Charles Ives Festival (NY).
Jonathan can be heard on recordings from Mode Records, Ahornfelder, NEOS and London Hall Records. His live performances have been broadcast on national TV and radio stations in Germany, Serbia, Ukraine, U.S., Austria and Mexico.
Jonathan holds degrees from the Interlochen Arts Academy (HS), Manhattan School of Music (BM), SUNY Stony Brook (MM, DMA) and the Musikhochschule Lübeck (Advanced Studies). He has taught at SUNY Stony Brook’s Undergraduate Music Program, the Manhattan School of Music Precollege Division and the United Nations International School. Jonathan has given lectures on contemporary percussion literature at the Shanghai Conservatory, Poznan Conservatory, SUNY Stony Brook, NYU and the Juilliard Summer Percussion Seminar. Jonathan is an endorser for Black Swamp Percussion, Mike Balter Mallets, and Zildjian Cymbals.